Hi, this is Lucy Liang.
The character of the protagonist stays very consistent
throughout the short story, but the attention and mood of the story does change
quite dramatically. In the beginning, Anders is introduced to the readers to be
“a book critic known for the weary, elegant savagery” which sets up his
character quite well (281). The conversations that Anders had while at the
bank, and his reactions to the situation of an armed bank robbery, although a
bit bizarre, were not unexpected for whom he is. With his behaviors, I was
expecting him to be shot. I even felt like he deserved to be shot for not
taking his life and the situation seriously. Then, right in the middle of the
story, Anders got shot in the head. This was shocking for me for I was not
expecting the main character to die so soon. This is also where the focus and
mood shifts. Time is slowed down significantly as the narrator zooms the focus
into Anders’ skull, describing the pathway of the bullet, transitioning into a
memory “‘passed before his eyes’” (284). The author is very specific with the
motion and position of the bullet, and each chain reaction it triggered along
the way. The words created a beautiful imagery in my head, imagining “the
bullet in the cerebrum set of a crackling chain of ion transports and
neurotransmissions” and “the bullet was moving at nine hundred feet per second,
a pathetically sluggish, glacial pace compared with the synaptic lightning that
flashed around it” (284). I loved the contrast of the slowness of the bullet to
synaptic transmissions, and the point focus of the bullet to the spread out web
like neuro-pathways. Even though Anders’s death happened in seconds, we got to
take a peak at a last and finally happy memory of his, leaving the reader with
a lasting impression of “hope and talent and hope” (285).
No comments:
Post a Comment